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Originally published in the The Theraplay® Institute Newsletter of Summer, 2000
INTEGRATING THERAPLAY INTO THE NAVAJO BEAUTY WAY
Nancy Maness, M.A.
Aneth Community School, Cortez, Colorado
Hozho is a powerful word in the Navajo culture that means a life
of balance and harmony. The prefix "ho" means being in balance and is the same
prefix as in "hogan", the style of home that is still used by some contemporary
Navajos. A way of life based on this principle is known as the "Beauty Way."
In the Beauty Way, balance and harmony are embeded in the four geographical
directions representing spiritual (east), physical (south), social (west), and
environmental awareness (north). Early in my professional career as an Anglo
school counselor on the Navajo reservation, I was introduced to the balance
and harmony of the Beauty Way, and it sparked my interest in using Theraplay
in my work because of several overlapping principles. Both the Navajo culture
and Theraplay emphasize bringing balance and harmony into a life of chaos, and
both encourage social, emotional, and intellectual growth. Theraplay promotes
harmony through play and the Navajos encourage a return to balance and harmony
through ceremonies and blessings. Theraplay group activities also encourage
cooperation, a strong value for the Navajos.
Although Theraplay like every therapeutic approach can have its
own cultural bias, Navajo families connect well to a number of Theraplay concepts
because of cultural activites that can relate to the four dimensions of Theraplay.
Structure is manifested in ceremonies, management of livestock and daily routines.
For example, an early morning blessing with corn pollen and a run towards the
East at daybreak are a part of spiritual structure. The challenge dimension
is also manifested here because the long distance run at daybeak on desert terrain
shows that you are industrious. Activities such as string games (designs made
with a loop of string) and butchering sheep also fall under both the structure
and challenge dimensions. In fact, it is difficult to classify any Navajo activity
into just one dimension of Theraplay; most traditional activities include all
four dimensions. Making jewelry, weaving rugs, dancing at pow wows, amd learning
how to participate in ceremonies imbues the Navajo child with a sense of structure,
engagement, nurture, and challenge.
My dilemma as a therapist using Theraplay was to find a way to
integrate these cultural elements into a playful, therapeutic framework. Feeding
and lotioning are two techniques of Theraplay sessions that are easily tied
to the Navajo culture. Feeding one another is considered by the Navajos to be
very nurturing. Often, when one is invited to a Navajo's house to eat, he or
she is encouraged to take extra food to eat later at home. Food is also used
extensively in ceremonies and celebrations to teach respect and generosity towards
others. In the First Laugh celebration, for example, the person who makes a
baby laugh for the first time also helps the infant give away food to encourage
the child to be generous. Thus, feeding children cookies and sometimes giving
leftovers to share with their siblings or friends adds a familiar touch to Theraplay
sessions.
Lotioning can be tied to the Navajo culture through the traditional
ingredient of lanolin. Lanolin comes from sheep, and sheep are very significant
to the Navajo because traditionally they have been a substantial part of their
physical survival as well as an avenue for teaching discipline to their children.
It is a Navajo tradition to rub chee (a mixture of clay and sheep fat) on a
cradleboard before it is used for an infant. This ritual is done to remind the
child that he or she is a part of Mother nature. Thus, lotion is a part of mother
nature that is available for soothing the child's hurts. I use lotion to aid
reconciliation between two students who had a fight or an argument. For example,
if a child is physically hurt, the perpetrator puts lotion on the "ouchy." If
the wound is emotional, then lotion is rubbed on the wrist because the veins
in the wrist go directly "to the heart."
Theraplay nurturing and engaging activities are easily incorporated
into my work setting. One 6th grader who came to my attention was referred to
me because of misbehaving following the death of two of his cousins. Although
I had a baby bottle sitting in my office, I wasn't comfortable with its use
for him because it seemed inappropriate for a 6th grade boy. However, during
the second daily session with him, he noticed it, and asked why it was in my
office. I explained that it was for students who needed extra nurturing. After
he continued to stare at it, I got up the courage to ask him if he wanted to
use it. He was more than willing! After that, most of our daily fifteen minute
sessions consisted of lotioning and bottle feeding. Two weeks later, he let
me know that he no longer needed the extra attention. I did not receive any
more complaints from the staff about him. Unfortunately, in my school setting,
I seldon have time to see children for entire Theraplay sessions. However, Theraplay
activities related to nurturing and engagement do allow me to reach many children
for brief periods of time.
There is one important emphasis in the Theraplay model that I
utilize very cautiously: the emphasis on making eye contact with the child.
Traditional Navajos often interpret looking another person in the eyes as aggressive
and impolite. Of course, adherence to this belief depends a great deal on how
each individual is raised. For the most part, the Navajo child is much more
willing to make eye contact than is an adult, especially an elder. However,
while I might teach the Navajo child that eye contact is important in the Anglo
society, I usually leave the decision to actually make eye contact during a
Theraplay session up to the child.
In Group Theraplay sessions, I adapt Navajo games and activities
as well as other components of the Navajo culture. Some traditional activities
are only acceptable in the wintertime. Thus in the winter, I use string games
to establish rapport and to promote cooperation and challenge between the group
members. The children teach each other string games that they know. Often, the
children who are more traditional and proficient in Navajo are the ones that
are better at the string games. Consequently, while these students may have
trouble with the English language (especially if they are also strong tactile/visual
learners), they have no problem with teaching others these traditional string
games. This activity often gives an added boost to their self-esteem.
In Group Theraplay, I also use a game I call "Entering the Hogan."
The children hold onto a sheet and "balloon" it in the air. Then they take turns
going inside. The children are reminded before they start that hogans are a
place of harmony and balance. Consequently, the participants must keep the hogan
a fun and safe place to enter.
Another Group Theraplay activity is related to four mountains
that surround the Navajo reservation called, in English, Mount Taylor, San Fransisco
Peak, Hesperus Peak, and Blanca Peak. They are considered sacred, and they are
important natural boundaries for the Navajo. As an in-classroom meditation activity,
I encourage the children to imagine themsleves taking a trip to one of these
sacred mountains. On their journey, they may "take a friend" or someone they
trust. They are told to find something of Mother Nature during the trip that
they really enjoy. Then each child has a chance to tell his or her adventure.
Group sessions always start with a group application of lotion and end with
a snack.
This article presents just a few of the ways that I consider the
cultural background of the children that I serve while conducting Theraplay.
I strongly believe that it is vitally important to understand the belief systems
of one's clients. For the Navajo, that belief system is the Beauty Way and the
return to the Hozho.
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